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                        <loc>https://eitankimlevy.com/alice</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/T3081304058487009121186771162920/Alice-Running-Final-Jpeg.jpg</image:loc>
                                            <image:caption>&lt;h1 style=&quot;color: rgba(251, 237, 237, 0.85);&quot;&gt;White Rabbit (Blurred Alice) &lt;/h1&gt;&lt;span style=&quot;color: rgba(251, 237, 237, 0.85);&quot;&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;For a shoot inspired by Tim Burton’s Alice in Wonderland, I wanted to recreate the film&amp;#x27;s conceptual ideas of time, the loss of innocence, and an escape from reality. In this image, Alice is running after the White Rabbit. Using a slow shutter speed with a tripod, I had my subject run around a tree in Griffith Park’s Bronson Canyon. I knew this location would be the perfect place for the shoot, with its lush greenery and mature trees. Her blurred and receding form creates a sense of loss, mystery, and fading, leaving the viewer unsettled about her fate. &lt;/span&gt;&lt;br /&gt;
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                                            <image:caption>&lt;span style=&quot;color: rgba(248, 241, 241, 0.85);&quot;&gt;&lt;h1 style=&quot;color: rgba(248, 241, 241, 0.85);&quot;&gt;Untitled (Alice Looking into the Rabbit Hole)&lt;/h1&gt;&lt;br /&gt;
&lt;br /&gt;
Alice is an inquisitive protagonist, always wondering and following her impulses. Towards the beginning of the story, Alice famously falls down the rabbit hole. I used this image of Alice peering into a broken tree stump to depict the curiosity of young individuals as they become more independent, in the quest to understand and interpret the world on their own terms.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;h1 style=&quot;color: rgba(255, 255, 255, 0.85);&quot;&gt;Tweedledum and Tweedledee&lt;/h1&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;color: rgba(255, 255, 255, 0.85);&quot;&gt;During my Alice series, I wanted to recreate an image from Sir John Tenniel’s 1871 illustration of Alice encountering the famously stupid twins. Using a friend who looks awfully like me, I metered the camera, set the composition, and asked my sister to press the shutter button. I posed and dressed each subject with the drawing as inspiration.&lt;/span&gt;</image:caption>
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                        <loc>https://eitankimlevy.com/shadows-of-conformity</loc>
            
            
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                                            <image:caption>&lt;span style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;span style=&quot;font-size: 11.0131px; letter-spacing: 0em;&quot;&gt;Judgment (2024) &lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;This photo is another image in my series, Shadows of Conformity – I sought to explore the emotional and psychological impacts of societal judgment, focusing on how identity shifts under external scrutiny. Exploring the power of lighting and the expression of posing and soul, I wanted to pull the reality of being human in modern-day society. &lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt;Whirl Pool&lt;br /&gt;
&lt;br /&gt;By honing my skills in conceptual and technical photography, I use the power of shadows to an extreme. Toying with the leading lines, a contrast of shadow and light creates a whirlpool around my subject, inevitably luring the viewer to visit each part of the image.&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;span style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;span style=&quot;font-size: 11.0131px; letter-spacing: 0em;&quot;&gt;Untitled (2024)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;By using a projected image to overlay abstract visuals onto my subject (Taj), I created an interplay between the images and his body that symbolized the conflict between self-expression and societal expectation. The black-and-white film heightened the drama in the lighting while introducing an extra subject—a hand grabbing, essentially pulling my main into conformity while they&amp;#x27;re lost and turned upside down. &lt;/span&gt;&lt;br /&gt;</image:caption>
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                        <loc>https://eitankimlevy.com/hidden-doors</loc>
            
            
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                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;Blank Frame (2024)&lt;/h1&gt;&lt;br /&gt;&lt;/div&gt;
&lt;span style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;The frame in photography has always been an interesting concept to me. Hidden Doors is my series that shifted my thought process from a photo being a reflection of the world to an idea of how I see the world. Being a participatory piece, I am interested in the photographer-viewer relationship, as it allows the audience to use their imagination to fill in the blank             &lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;h1 style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;Untitled (2024)&lt;/h1&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;font-size: 11.0131px; letter-spacing: 0em; color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;span style=&quot;color: rgba(31, 7, 7, 0.85);&quot;&gt;In curating my series Hidden Doors, I draw on my love for nature and its unimaginable beauty, as well as the unanswered questions that arise. “Disruption in composition” was a phrase that kept coming to me, as I staged manmade interruptions in a place of peace. In this image, I used a low shutter speed to give it a darker, off-putting yet intriguing appeal, akin to hearing your name called while no one&amp;#x27;s around. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;

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